3 Legendary Instruments in a $40 VST

  • Fender Rhodes

    2 patches sampled from a restored 1971 MK1 Fender Rhodes.

  • Juno-106

    3 patches sampled from an iconic vintage Juno-106.

  • Moog Subphatty

    2 paches sampled from the tone-shattering Moog Suphatty.
Add Holy Trinity To Your Rig

What the Creators are Saying

  • "Holy Trinity is intuitive, emotive, easy to navigate, and really sounds like the real (analog) thing. Beautiful low end, smooth highs and natural distortion."
    - Gia Margaret

  • “I can no longer imagine my production toolbox without Trinity. There is not a better plugin on the market for these sounds."
    - Nativity Beds

  • "I know I made this, but I legit haven't fired up my synths since having Holy Trinity. I've been more inspired than ever."
     - dug.
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dug.

Holy Trinity

$40.00 USD
$40.00 USD
Sale Sold out
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A Virtual Instrument Like No Other

I’ve been collecting and restoring vintage instruments for years. My obsession led to the ultimate keys rig consisting of a 1971 MK1 Fender Rhodes, Juno-106, and Moog Subphatty….the Holy Trinity! 

My dream was to build the ultimate virtual synth that combines the best of these legendary instruments as well as give me instant access to specific patches and sounds in my DAW, regardless of what studio I was in.

Then Holy Trinity was born.

- dug.

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A Look Inside Holy Trinity

  • The Blending Mixer

    Part of what makes Holy Trinity so unique is the Blending Mixer. The idea here is to create endless inspiration and sonic possibilities.

    Experience the beauty of the blending and what .2dB up or down on a patch can do to your sound. Go crazy here or just enjoy the curated individual patches.

  • Tape Mode

    Here's the secret sauce. When Tape Mode is engaged the entire sample library flips to all patches recorded through a Teac 1/4” reel-to-reel tape machine.

    No need to buy new tape, patch your mixer, calibrate, record to tape, record back into your DAW, etc. Experience the magic with a flip of a switch.

    All Tape Mode sounds were run through a Teac Model 2 mixer into a Teac A-3340s 1/4” machine with ATR master tape.

More Features of Holy Trinity

Shaping Controls

Global Attack and Release knobs.

Tone Controls

Global Lo Cut and Hi Cut filters. The Lo Cut knob begins at 15hz and the Hi Cut knob begins at 22000hz.

Reverb

The Reverb module is incredible.

This globally processes all patches. All Reverb Types are Impulse Responses from legendary units and some out-there field recordings. There are 3 presets from the iconic Bricasti M7 Reverb unit and then a variety of other hardware units and field recordings.

Modulation Controls

The Modulation section is also where some magic lives.

There are global effects for a stunning Chorus and Phaser.

Drive & Gain Controls

Add some overdrive with the Drive knob and use the Boost to add some more volume after your other tonal shaping.

Wow & Flutter

This horizontal fader controls the depth of an LFO at .65 Hz effecting the Global Pitch ± a quarter tone.

You can use it with or without Tape Mode to bring some tone bending to your sounds.