dug.
Holy Trinity
Holy Trinity
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A decent sampler instrument combining 3 legendary instruments (Fender Rhodes, Juno-106, Moog Subphatty). One VST to rule them all.
- Meticulously sampled & curated
- 2 Fender Rhodes Patches (6 velocity layers each)
- 3 Juno-106 Patches
- 2 Moog Subphatty Patches
- Blending Mixer to mix any ratio of all 7 patches
- Attack & Release knobs
- Drive & Gain Boost knobs
- Hi Cut & Lo Cut filters
- Chorus & Phaser modulation knobs
- Impulse Response Reverb section with 13 different types of reverb
- TAPE MODE! 1/4" reel-to-reel samples of every patch
- Wow & Flutter fader
- 15 customized presets
- Tone for days
Minimum system requirements:
Please check out the specs on the Decent Sampler website to confirm this will work on your system! If your version is not listed, check out older versions available for download when you scroll down on the link above. The Decent Sampler plugin itself is totally free.
Holy Trinity can be used standalone via the Decent Sampler app or in your DAW of choice.
Customer Reviews
Damn, this instrument is WILD! Incredible tone, great interface, and allows me to afford all the synths I dream of. Tape mode is lush. Being able to blend all the patches is incredible and I'm achieving new synth sounds I've never heard before.
If you're considering purchasing, definitely do it. I would easily spent twice as much for this.
As someone who’s spent countless hours in studios chasing that perfect sound, let me just say—Dug’s Holy Trinity VST is a game-changer. This plugin is a beautifully crafted time machine that lets you channel the essence of three legendary instruments: the Fender Rhodes, Juno-106, and Moog Subphatty. I’ve been using it over the past week in Ableton Live and am excited to share my thoughts.
First off, the Fender Rhodes patches are buttery smooth. Whether you’re after mellow jazz chords or vintage R&B sound, the warmth and dynamics here are perfect. It responds like the real deal, with enough detail in the velocity layers to make your MIDI sound alive.
Then there’s the Juno-106 section—an absolute vibe machine. Those classic analog pads and punchy bass lines are everything you’d expect and more. The tone is lush and versatile, from shimmering ’80s choruses to gritty, detuned leads.
Finally, the Moog Subphatty. The low end grit and richness here are unreal. The leads are dripping with analog mojo. Dug nailed the tactile immediacy of the Moog sound—it’s like the plugin breathes.
What sets the Holy Trinity apart is how well these three instruments complement each other within a single workflow. The interface is clean and intuitive, perfect for diving in and tweaking without breaking the creative flow. Plus, the onboard effects (the tape saturation is a standout) feel like they were dialed in by someone who uses effects tastefully.
Whether you’re layering Rhodes chords under a vocal, crafting synth hooks, or cooking up lush pads, this plugin delivers. It’s quickly become my go-to for adding instant character and warmth to tracks. Dug captured the sound and feel of these iconic instruments.
If you’re a serious producer or just a gearhead chasing legendary tones, the Holy Trinity VST deserves a spot in your arsenal.
